Stanley Kubrick — "The greatest enemy of art is good taste."
The greatest enemy of art is good taste.
The greatest enemy of art is good taste.
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"The test of a man's character is what he does when no one is watching."
"The most important thing for an artist is to be true to himself, and not to compromise his vision for anyone else."
"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
"I've got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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