Stanley Kubrick — "The most important thing for any director is to have a good script. If you don't…"
The most important thing for any director is to have a good script. If you don't have a good script, you might as well not bother.
The most important thing for any director is to have a good script. If you don't have a good script, you might as well not bother.
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"The screen is a magic medium. It has such power that it can retain interest as it goes along, even when the mind wants to wander."
"I have a wife, three children, three dogs, seven cats. I'm not a Franz Kafka, sitting alone and suffering."
"The really terrifying thing about 'The Shining' is that it's a story about a man who goes mad and tries to kill his family. And that's something that can happen to anyone."
"I think that the most important thing for a filmmaker is to have a strong vision and to stick to it, no matter what."
"The only true wisdom is in knowing you know nothing."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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