Stanley Kubrick — "I think that the most important thing for a filmmaker is to have a strong vision…"
I think that the most important thing for a filmmaker is to have a strong vision and to stick to it, no matter what.
I think that the most important thing for a filmmaker is to have a strong vision and to stick to it, no matter what.
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"If it can be written, or thought, it can be filmed."
"Everything serious the drill instructor says, such as 'A rifle is only a tool, it is a hard heart that kills', is completely true."
"The most powerful thing in the world is an idea whose time has come."
"There's something in the human personality which resents things that are clear, and conversely, something which is attracted to things that are vague, mysterious, or even a little opaque."
"The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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