Marlon Brando — "The only thing an actor owes his public is not to bore them."
The only thing an actor owes his public is not to bore them.
The only thing an actor owes his public is not to bore them.
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"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul."
"I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself."
"I don't like to be famous. I don't like to be a star."
"I like to disappear. I like to be anonymous."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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