Edvard Munch — "The soul is like a vast, dark forest."
The soul is like a vast, dark forest.
The soul is like a vast, dark forest.
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"From my rotting body, flowers shall grow, and I am in them, and that is eternity."
"I build a kind of wall between myself and the model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me."
"The viewer should feel the pain, the joy, the love, the hate, the fear, the horror."
"The human heart is a dark and mysterious place."
"Art is a way to stop time."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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