Edvard Munch — "I build a kind of wall between myself and the model so that I can paint in peace…"
I build a kind of wall between myself and the model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread.
Closely associated with
James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir).
For an intellectual contrast, see
Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Details
Explaining his need for isolation and focus during the creative process.