Claude Monet — "What I like most of all in London is the fog."
What I like most of all in London is the fog.
What I like most of all in London is the fog.
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"For a month I have been unable to paint because I lack the colours. That's not important. Right now it's my wife's life in jeopardy that terrifies me. It is unbearable to see her suffer."
"I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no."
"I'm absolutely furious. I want to break something."
"You say you think of savings all the time but you cannot seem to manage to,' and he suggests it will do the children good to go without."
"I was flattered by your two letters, as I have the deepest admiration for Japanese art and a great liking for the Japanese people […]. It is with the greatest pleasure that I received your pretty prin…"
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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