Alan Turing — "Hyperboloids of wondrous light. Rolling for age through Space and Time Harbour t…"
Hyperboloids of wondrous light. Rolling for age through Space and Time Harbour there Waves which somehow Might Play out God's holy pantomime.
Hyperboloids of wondrous light. Rolling for age through Space and Time Harbour there Waves which somehow Might Play out God's holy pantomime.
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"In the time of Galileo it was argued that the texts, 'And the sun stood still ... and hasted not to go down about a whole day' (Joshua x. 13) and 'He laid the foundations of the earth, that it should …"
"Instead of trying to produce a programme to simulate the adult mind, why not rather try to produce one which simulates the child's? If this were then subjected to an appropriate course of education on…"
"At some stage therefore we should have to expect the machines to take control."
"The machine should be able to use language."
"The computer is a tool, and like any tool, it can be used for good or for evil."
May have been made up as a spoof of Arthur Eddington, or a quote from Eddington. Documented in his papers.
Date: Unknown
BiblicalFound in 1 providers: gemini
1 source checked
The quote imagines vast mathematical forms—hyperboloids—sweeping through space and time, carrying waves that enact the universe's deepest order. Turing suggests the cosmos operates like a divine performance, with geometry and physics as its script. The universe isn't random; it runs according to hidden mathematical laws that, if fully understood, reveal something almost sacred. Reality itself is a kind of holy theater, with mathematics serving as its stage directions.
Turing was a mathematician who saw deep structure beneath nature's surface—his morphogenesis work showed how equations produce biological patterns. This poem reveals his spiritual side: mathematics wasn't merely a tool but a window into cosmic order. A man who cracked German codes by finding patterns in apparent chaos, Turing naturally viewed the universe as a system of hidden regularities—beautiful, structured, almost divine in their precision and permanence.
Written in the early 1950s, this reflects an era when Einstein's relativity and quantum mechanics had shattered classical physics, revealing space, time, and matter as fundamentally mathematical. Britain was rebuilding post-WWII while scientists debated whether mathematics described or actually constructed reality. Turing's poem sits at that exact tension—between cold scientific formalism and the genuine wonder that the universe follows any coherent rules at all.
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