Stanley Kubrick — "I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if…"
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
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"I've never been certain whether the world is run by smart men who are putting us on or by imbeciles who really mean it."
"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
"I wouldn't say that Lee is the greatest actor in the world, but I do think that the greatest actor in the world couldn't have played the role better than Lee did."
"The novel (The Shining) is by no means a serious literary work, but the plot is for the most part extremely well worked out, and for a film that is all that really matters."
"I think the big mistake in schools is trying to teach children anything by using fear as the basic motivation."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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