Stanley Kubrick — "I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if…"
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
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"I don't believe in happy endings. I believe in realistic endings, and sometimes realism is not happy."
"The greatest obstacle to discovery is not ignorance, it is the illusion of knowledge."
"You can't make a film without being a bit of a dictator. You have to be able to say, 'This is what I want,' and everyone else has to follow."
"The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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