Quentin Tarantino — "I don’t believe in God, but I believe in Pam Grier."
I don’t believe in God, but I believe in Pam Grier.
I don’t believe in God, but I believe in Pam Grier.
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"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
"I don't think there's any such thing as a bad movie, just a movie you don't like."
"I'm not interested in being a nice guy. I'm interested in being a good filmmaker."
"I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
"The only time I cry is when I watch 'E.T.' And when I run out of ketchup."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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