Quentin Tarantino — "I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
I'm a big fan of writing dialogue. It's my favorite part of filmmaking.
I'm a big fan of writing dialogue. It's my favorite part of filmmaking.
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"You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's…"
"I'm a big fan of movie stars. I think they're magical."
"Violence is one of the most fun things to watch."
"I'm not a big fan of directors who take themselves too seriously."
"I'm not trying to be politically correct. I'm just trying to tell a good story."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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