Marlon Brando — "I don't like to be predictable. I think it's boring."
I don't like to be predictable. I think it's boring.
I don't like to be predictable. I think it's boring.
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"I'm going to be a plumber. I don't want to be an actor. I don't want to be a movie star. I don't want to be anything. I just want to be myself."
"I think that the most important thing in life is to be true to yourself."
"I don't think anyone should be forced to do anything against their will."
"I don't like to be told what to do."
"Food has always been my friend. When I wanted to feel better or had a crisis in my life, I opened the icebox."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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