Quentin Tarantino — "I don't think I'm a misogynist. I just think I like certain movies."
I don't think I'm a misogynist. I just think I like certain movies.
I don't think I'm a misogynist. I just think I like certain movies.
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"I think every film I make is a genre unto itself."
"When people ask me if I went to film school, I tell them, 'No, I went to movies.'"
"I'm a big fan of blaxploitation films. They're awesome."
"I'm a big fan of movies that are unique."
"I'm a big fan of practical effects. I think they're better than CGI."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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