Marlon Brando — "The most repulsive thing you could ever imagine is the inside of a camel's mouth…"
The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid.
The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid.
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"I don't believe in God. I believe in people."
"I don't want to be a star. I want to be an actor."
"I don't mind being an icon, but I'd rather be a person."
"I don't like to be controlled. I think it's demeaning."
"I have no idea what I'm doing. I just try to make it interesting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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