Marlon Brando — "If you're going to be a movie star, you'd better be a good one."
If you're going to be a movie star, you'd better be a good one.
If you're going to be a movie star, you'd better be a good one.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I don't like to be judged. I think it's unfair."
"The only thing I ever learned from acting was that I could make a lot of money."
"I don't like to be in the public eye. I prefer to be private."
"I don't like to be categorized. I think it's limiting."
"I don't think acting is that important. It's just a way of making a living."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty