Quentin Tarantino — "I'm not a fan of CGI. I like practical effects."
I'm not a fan of CGI. I like practical effects.
I'm not a fan of CGI. I like practical effects.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure."
"Violence was like another character in the room. It hung over the proceedings. You kept waiting for every conversation to break out into it. So even if it was funny, the audience might have laughed, b…"
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
"I'm not interested in making movies for children."
"I just realized that I need to be a director for two reasons. One, directors were already my heroes at this point. I wanted to - when I wanted to be an actor I wanted to work with this director. Not w…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Your cart is empty