Quentin Tarantino — "I'm not trying to make Hateful Eight contemporary in any way, shape, or form. I'…"
I'm not trying to make Hateful Eight contemporary in any way, shape, or form. I'm just trying to tell my story.
I'm not trying to make Hateful Eight contemporary in any way, shape, or form. I'm just trying to tell my story.
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"I'm a big fan of revenge. I think it's a great motivation."
"I'm not a big fan of sequels."
"My philosophy forever has been it doesn't matter what you're like as long as you're interesting. Interest is everything."
"He's not really fully formed. They grow. They teach me who they are."
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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