Stanley Kubrick — "I've never been interested in making films that are easy to understand. I want t…"
I've never been interested in making films that are easy to understand. I want to make films that challenge people, that make them think.
I've never been interested in making films that are easy to understand. I want to make films that challenge people, that make them think.
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"I think the big mistake in schools is trying to teach children anything by using fear as the basic motivation."
"I never learned anything at all in school and didn't read a book for pleasure until I was 19 years old."
"The most important thing for an artist is to be true to himself, and not to compromise his vision for anyone else."
"The most important thing for me is to try to make films that are interesting to me, and that I would want to see."
"I'm not a religious person, but I'm very interested in what makes people believe in things."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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