Quentin Tarantino — "I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocke…"
I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure.
I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure.
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"I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
"I actually think I'm a better writer than I am a director."
"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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