Quentin Tarantino — "I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocke…"
I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure.
I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure.
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"We don't tell a story. We tell a situation. Most of the movies that you see nowadays... you pretty much know everything you're going to see in the movie by the first 10 or 20 minutes. Now, that's not …"
"I don't think about the audience when I'm making a movie. I just think about the story."
"I'm not a big fan of political correctness. I think it's a disease."
"If you have a problem with my movies, then they aren't the movies to go see. Apparently, I'm not making them for you."
"Bruce had nothing but disrespect for American stuntmen and was always hitting them. ... I can understand his daughter having a problem with it, everyone else could 'go suck a d***.'"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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