Quentin Tarantino — "I've never been interested in making a movie that everybody likes. I'm intereste…"
I've never been interested in making a movie that everybody likes. I'm interested in making movies that I like.
I've never been interested in making a movie that everybody likes. I'm interested in making movies that I like.
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"The flaw is Paul Dano. Obviously, it's supposed to be a two-hander, and it's also so drastically obvious that it's not a two-hander. … He is weak sauce, man. He's a weak sister."
"I don't have a problem with gratuitous violence. I have a problem with boring violence."
"I don't like to be subtle. I like to be in your face."
"My movies are very personal. I'm working in a genre, no doubt about it... but to me all the movies are very personal."
"I just want the same rights that a novelist has... you can write a novel about a bastard, but he can be totally interesting."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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