Quentin Tarantino — "I make violent movies. I like violent movies. I'm on record about how I feel the…"
I make violent movies. I like violent movies. I'm on record about how I feel there is no correlation between art and life in that way.
I make violent movies. I like violent movies. I'm on record about how I feel there is no correlation between art and life in that way.
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"I don't believe in rules. I believe in breaking them."
"Social critics don't mean a thing to me. It's really easy to ignore them, because I believe in what I'm doing 100%. So any naysayers for the public good can just fuck off."
"I don't have a problem with gratuitous violence. I have a problem with boring violence."
"I do not make films for children. I make films for adults who are children."
"Insects too. Unless I'm paying to see some bizarro documentary, I'm not paying to see real death. Part of the way that this all works is that it's all just make believe. That's why I can stand the vio…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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