I get a kick out of violence in movies. I don't get a kick out of badly done violence or action scenes in movies. It's like, 'How far is too far?' Well, if they do it well, there shouldn't be, 'How far is too far?'
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"I don't care for Matthew Lillard."
"I'm a big fan of movies that are thought-provoking."
"I'm a big fan of dialogue. I think it's important."
"I have absolutely no hypocrisy or contradiction whatsoever to say that you know I abhor violence in real life and I can love it in genre. and I can love it in stories and I can love it in uh novels."
"If my answers frighten you then you should cease asking scary questions."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
General statement on the craft of cinematic violence.
Date: Approximate, quoted in 2014 article
PhilosophicalFound in 1 providers: gemini
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