Edvard Munch — "My art is truly a confession. A voluntary unveiling of my soul."
My art is truly a confession. A voluntary unveiling of my soul.
My art is truly a confession. A voluntary unveiling of my soul.
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"I believe that art can heal."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
"And I would often wake up at night and stare widely into the room: Am I in Hell?"
"I have created a new art that will shake the world."
"I am a wanderer, always searching for something I cannot find."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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