Edvard Munch — "And I would often wake up at night and stare widely into the room: Am I in Hell?"
And I would often wake up at night and stare widely into the room: Am I in Hell?
And I would often wake up at night and stare widely into the room: Am I in Hell?
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"The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell."
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
"The camera cannot compete with the brush and palette, it is far too clumsy."
"And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France].. . Every day is the same – my friends have stopped coming – their laug…"
"I do not paint what I see, but what I saw."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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