Marlon Brando — "The principal benefit acting has afforded me is the money to pay for my psychoan…"
The principal benefit acting has afforded me is the money to pay for my psychoanalysis.
The principal benefit acting has afforded me is the money to pay for my psychoanalysis.
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"I don't want to be a symbol. I want to be a man."
"I don't trust anybody. Not even myself."
"I don't believe in regret. I think it's a waste of time."
"I couldn't care less about the Oscar. It's a piece of junk."
"I'm not a very good actor. I'm a very bad actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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