Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape.
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"I have such a fear of not being able to finish what I have undertaken."
"These palm trees [in Bordighera, Italy] are driving me crazy; and also the motifs are extremely difficult to render, to put down on canvas; everywhere is so lush."
"I never had one [a studio] and personally I don't understand why would want to shut themselves up in some room. Maybe for drawing, sure, but not for painting."
"I'm so fed up with these water lilies. I can't stand them anymore."
"I'm so frustrated. I want to scream."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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