Quentin Tarantino — "I'm a big fan of exploitation films. I think they're great."
I'm a big fan of exploitation films. I think they're great.
I'm a big fan of exploitation films. I think they're great.
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"I'm a big fan of the unexpected. I think it's what keeps an audience engaged."
"I have absolutely no hypocrisy or contradiction whatsoever to say that you know I abhor violence in real life and I can love it in genre. and I can love it in stories and I can love it in uh novels."
"I actually think I'm a better writer than I am a director."
"I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
"I don't care about awards. I care about making good movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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