Quentin Tarantino — "I'm a big fan of exploitation films. I think they're great."
I'm a big fan of exploitation films. I think they're great.
I'm a big fan of exploitation films. I think they're great.
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"I'm a big fan of revenge. I think it's a great motivation."
"I'm a filmmaker. I make movies. That's what I do."
"It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty …"
"I don't believe in political correctness. I believe in freedom of speech."
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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