Marlon Brando — "I don't like to be pushed around by anybody—including the government."
I don't like to be pushed around by anybody—including the government.
I don't like to be pushed around by anybody—including the government.
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"I don't like to be touched. I don't like to be hugged. I don't like to be kissed."
"I don't have any regrets. I've lived my life the way I wanted to."
"I like to disappear. I like to be anonymous."
"The only thing an actor owes his public is not to bore them."
"All I want to be is normally insane."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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