Edvard Munch — "I have no fear of photography as long as it cannot be used in heaven and in hell…"
I have no fear of photography as long as it cannot be used in heaven and in hell.
I have no fear of photography as long as it cannot be used in heaven and in hell.
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"When you argue with your inferiors, you convince them of only one thing: they are as clever as you."
"I create images from the depths of my soul."
"The soul is like a vast, dark forest."
"Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the painti…"
"The camera cannot compete with the brush and palette, it is far too clumsy."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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