Edvard Munch — "My art is rooted in a single reflection: why am I not as others are?"
My art is rooted in a single reflection: why am I not as others are?
My art is rooted in a single reflection: why am I not as others are?
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"Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me."
"The soul is like a vast, dark forest."
"I believe that art can heal."
"I felt as if there were invisible threads connecting us – I felt the invisible strands of her hair still winding around me – and thus as she disappeared completely beyond the sea – I still felt it, fe…"
"Man's life is a journey between two graves."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A profound statement on his sense of alienation and how it fueled his artistic expression.
Date: Late 19th Century
Art & CreativityFound in 2 providers: gemini,grok
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