Edvard Munch — "I burned with wine and memory of the dark eyes—I was intense and talked to Fru L…"
I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure.
I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light."
"I remained immobile trembling from anguish and I heard bounce through nature an immense infinite scream."
"The notes I have made are not a diary in the ordinary sense, but partly lengthy records of my spiritual experiences, and partly poems in prose."
"I see ghosts in the daylight."
"My art is an expression of my longing for love."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A personal diary entry, possibly reflecting on a romantic encounter.
Date: Late 19th Century
Love & RelationshipsFound in 1 providers: gemini
1 source checked
Your cart is empty