Edvard Munch — "I do not paint what I see, but what I saw."
I do not paint what I see, but what I saw.
I do not paint what I see, but what I saw.
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"I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire abo…"
"In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head."
"The lines and colors of a picture are like words in a poem."
"When I painted, I was a master. I felt that I dominated him, who dominated me."
"I am a wanderer, always searching for something I cannot find."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Explaining his approach to art, focusing on memory and inner experience rather than direct observation.
Date: Late 19th - Early 20th Century
Art & CreativityFound in 2 providers: gemini,grok
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