Edvard Munch — "The rich man who gives, steals twice over. First he steals the money and then th…"
The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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"I sense the presence of death everywhere."
"I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on eart…"
"I painted the picture, and in the colors the rhythm of the music quivers."
"The most terrible thing is to feel alone in a crowd."
"It is not the subject that is important, but the feeling it evokes."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A cynical socio-economic commentary, likely from his personal writings.
Date: Early 20th Century
Money & BusinessFound in 1 providers: gemini
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