Edvard Munch — "It is not the subject that is important, but the feeling it evokes."
It is not the subject that is important, but the feeling it evokes.
It is not the subject that is important, but the feeling it evokes.
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"I painted the same picture over and over again, the same feelings."
"Through art I have tried to get clarity in my life. I have tried to find a light in the darkness."
"The lines and colors of a picture are like words in a poem."
"The Scream' is not a landscape with figures, but a state of mind."
"—I have kissed a corpse such was that kiss—"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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