Edvard Munch — "A person himself believes that all the other portraits are good likenesses excep…"
A person himself believes that all the other portraits are good likenesses except the one of himself.
A person himself believes that all the other portraits are good likenesses except the one of himself.
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"When I painted, I was a master. I felt that I dominated him, who dominated me."
"The rich man who gives, steals twice over. First he steals the money and then the hearts of men."
"Death is the end of everything, but it is also the beginning of something new."
"I paint not what I see, but what I feel."
"I have sought to express my inner self in my art."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A humorous observation on self-perception and how people view their own likeness in art.
Date: Early 20th Century
InspirationalFound in 1 providers: gemini
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