Edvard Munch — "I paint not what I see, but what I feel."
I paint not what I see, but what I feel.
I paint not what I see, but what I feel.
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"To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does …"
"I inherited two of mankind's most frightful enemies - the heritage of consumption and insanity."
"The angels of fear, sorrow, and death stood by my side since the day I was born."
"My art is a way of understanding myself."
"The camera cannot compete with the brush and palette, it is far too clumsy."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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