Marlon Brando — "Acting is an empty and useless profession."
Acting is an empty and useless profession.
Acting is an empty and useless profession.
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"I don't like to be predictable. I think it's boring."
"I don't like to be famous. I don't like to be a star."
"I don't like to be famous. I think it's a burden."
"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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