Edvard Munch — "The lines and colors of a picture are like words in a poem."
The lines and colors of a picture are like words in a poem.
The lines and colors of a picture are like words in a poem.
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"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"The soul is an entity that exists in a state of eternal flux."
"My art is truly a confession. A voluntary unveiling of my soul."
"Is it because she took my first kiss that she took the perfume of life from me?"
"I do not paint what I see, but what I saw."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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