My whole life has been spent walking by the side of a bottomless chasm, jumping from stone to stone. Sometimes I try to leave my narrow path and join the swirling mainstream of life, but I always find myself drawn inexorably back towards the chasm's edge, and there I shall walk until the day I finally fall into the abyss.
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"I paint moments, not things."
"Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me."
"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"—I have kissed a corpse such was that kiss—"
"Nature is not only all that is visible to the eye… it also includes the inner pictures of the soul."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Reflecting on his isolated and anxious existence.
Date: Late 19th - Early 20th Century
Power & LeadershipFound in 1 providers: gemini
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