Edvard Munch — "My art is an expression of my longing for love."
My art is an expression of my longing for love.
My art is an expression of my longing for love.
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"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"An old wise man's soul has taken up residence in my dog."
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
"I believe that art can heal."
"The viewer should feel the pain, the joy, the love, the hate, the fear, the horror."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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