Marlon Brando — "I couldn't care less about the Oscar. It's a piece of junk."
I couldn't care less about the Oscar. It's a piece of junk.
I couldn't care less about the Oscar. It's a piece of junk.
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"I hate acting. I hate the whole business."
"Hollywood is ruled by fear and love of money. But it's not love that makes the world go 'round—it's money."
"I like to disappear. I like to be anonymous."
"My father was a very, very funny man. He was also a very cruel man."
"I don't like to be categorized. I think it's limiting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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