Quentin Tarantino — "I don't believe at all in test screenings or sneak previews where you hand out q…"
I don't believe at all in test screenings or sneak previews where you hand out questionnaires to the viewers to get their reactions.
I don't believe at all in test screenings or sneak previews where you hand out questionnaires to the viewers to get their reactions.
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"I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure."
"I'm a big fan of exploitation films. I think they're great."
"When I start writing I write these crazy novels. And I don't know what to do about it. Well, write a novel. That's what you can do, write a novel. And don't make a movie out of it."
"I don't care for Matthew Lillard."
"I'm a filmmaker. I don't care about the real world."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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