Quentin Tarantino — "I'm a filmmaker. I don't care about the real world."
I'm a filmmaker. I don't care about the real world.
I'm a filmmaker. I don't care about the real world.
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"I'm a big fan of Westerns. I think they're America's greatest art form."
"Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good."
"You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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