Marlon Brando — "I don't like to be analyzed. I think it's intrusive."
I don't like to be analyzed. I think it's intrusive.
I don't like to be analyzed. I think it's intrusive.
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"I don't think I'm a genius. I think I'm a worker."
"I thank you for not snoring."
"If you're going to be a movie star, you'd better be a good one."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
"An actor’s a guy who, if you ain’t talking about him, ain’t listening."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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