Marlon Brando — "I thank you for not snoring."
I thank you for not snoring.
I thank you for not snoring.
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"I think the great actors are the ones who are willing to make fools of themselves."
"I'm not a star. I'm an actor."
"The more you know, the more you realize you know nothing."
"Most of the world is like a mental institution, a big insane asylum."
"I've always been a loner."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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