Marlon Brando — "I don't like to be in public. I like to be in private."
I don't like to be in public. I like to be in private.
I don't like to be in public. I like to be in private.
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"The only thing I ever learned from acting was that I could make a lot of money."
"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"I don't think I'm a very good actor. I'm not that talented. I'm just lucky."
"I don't believe in marriage. I think it's an antiquated institution."
"Never confuse the size of your paycheck with the size of your talent."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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