Quentin Tarantino — "I don't like to be realistic. I like to be fantastical."
I don't like to be realistic. I like to be fantastical.
I don't like to be realistic. I like to be fantastical.
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"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I always say that I don't believe in God, but I believe in movies."
"I don't have a problem with gratuitous violence. I have a problem with boring violence."
"Just because you are a character doesn't mean you have character."
"I'm a big fan of dialogue. I think it's important."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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