Quentin Tarantino — "I'm a big fan of dialogue. I think it's important."
I'm a big fan of dialogue. I think it's important.
I'm a big fan of dialogue. I think it's important.
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"I'm a cheerleader towards violence in cinema. you know I have no problem is saying that I like violent movies. and I respond to violent movies. and I actually think violence is one of the things. that…"
"I have absolutely no hypocrisy or contradiction whatsoever to say that you know I abhor violence in real life and I can love it in genre. and I can love it in stories and I can love it in uh novels."
"I'm a big fan of practical effects. I think they're better than CGI."
"I'm not trying to make a statement with my films. I'm just trying to entertain people."
"You don't go to see Metallica and ask the fuckers to turn the music down."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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