Quentin Tarantino — "I don't like to be subtle with my intentions. I like to be clear."
I don't like to be subtle with my intentions. I like to be clear.
I don't like to be subtle with my intentions. I like to be clear.
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"I do not make films for children. I make films for adults who are children."
"If you're gonna make a movie, you gotta have a car chase."
"I'm a big fan of music in movies. I think it's essential."
"I don't believe in censorship. I believe in artistic freedom."
"Violence was like another character in the room. It hung over the proceedings. You kept waiting for every conversation to break out into it. So even if it was funny, the audience might have laughed, b…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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