Marlon Brando — "I don't think acting is that important. It's just a way of making a living."
I don't think acting is that important. It's just a way of making a living.
I don't think acting is that important. It's just a way of making a living.
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"Acting is the expression of a neurotic impulse. It's a bum's life. Quitting acting, that's the sign of maturity."
"I just wanted to get out of Nebraska."
"I don't think I'm a sex symbol. I think I'm a human being."
"I'm not a method actor. I'm just an actor."
"I don't believe in regret. I think it's a waste of time."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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